CIM515.1 Reflective Journal
Week 1 Ideation
My capstone extends my ongoing practice in projection mapping, spatial audio, and sensor-driven generative systems into Haven Gallery's 360-degree cinema dome — a canvas I haven't yet worked in. The project synthesises the three "Cycles of 12" frameworks underpinning my theoretical practice — the colour wheel, Hero's Journey, and circle of fifths — into a cohesive production pipeline, drawing on the deep human significance of the number twelve, from the zodiac to ancient calendrical and musical systems, as a structuring logic across cultures. A twelve-stage narrative arc drives the piece: each section corresponds to a hue on the colour wheel, a key on the circle of fifths, and a stage in the Hero's Journey, combining visuals and spatial audio that shift together as the work progresses through its cycle. The result is a narrative, dome-native artwork demonstrating that these three cyclical structures share an underlying logic.
Project Description
Week 2
Iterative cyclic Web of Practice-led Research and Research-led Practice (Smith, H. et al., 2009)
How
My methodology - Practice-based Research - the artefact is the research
https://creo.sae.edu.au/postgraduate/23/ Apples and Oranges Daragh Henchy
https://creo.sae.edu.au/postgraduate/60/ Building a Virtual Gallery: How the user journey can inform technological innovation towards best practice in creating A virtual gallery? Paula Cordeiro
References
Smith, H., & Dean, R. T. (Eds.). (2009). Practice-led research, research-led practice in the creative arts. Edinburgh University Press.